Jodie Foster in “Bugsy Malone”
Repulsion (1965) dir. by Roman Polanski
Polanski’s film plunges into this crack, the line dividing sexual fascination and repulsion, the male and the female, the society and the individual. The face, the eye, the four walls around Catherine Deneuve’s Carol all rupture and fracture. Her mind’s grasp on reality splinters, she withdraws and psychosis sets in […] (x)
“When you feel perpetually unmotivated, you start questioning your existence in an unhealthy way; everything becomes a pseudo intellectual question you have no interest in responding whatsoever. This whole process becomes your very skin and it does not merely affect you; it actually defines you. So, you see yourself as a shadowy figure unworthy of developing interest, unworthy of wondering about the world - profoundly unworthy in every sense and deeply absent in your very presence.” Ingmar Bergman.
Catherine Deneuve in “The Hunger”
Pier Paolo Pasolini + Terence Stamp on the set of Teorema.
(Marry me, Terrence.)
I love how everyone in this film wants to get their brains fucked out by this guy. And I love all the crotch shots! Pasolini was def. a perv.